When Russia needs sitcoms, it looks to the U.S.A. for material, and as confirmed by the success of overseas adaptations of The Nanny and Who’s the Boss?, crap translates. Exporting Raymond details Everybody Loves Raymond creator Philip Rosenthal’s odyssey attempting to bring his beloved series to Moscow, a process fraught with predictable culture-clash frictions that Rosenthal’s nonfiction film depicts but rarely investigates.
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