NYFF 2012: Critic’s Notebook

by Vadim Rizov

Passion is the first “Brian De Palma film” in ten years. He’s made movies since 2002’s career summary Femme Fatale, but neither 2006’s The Black Dahlia or 2007’s Redactedforegrounded his trademarks: comically lurid sex scenes, smoothly menacing gliding camera movements that can turn three feet of empty hallway into the world’s longest walk or effortlessly blast through quarter-miles, split-screen showboating. 

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